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Foreshadow 3:430:00/3:43
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Addictive 4:160:00/4:16
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Love 4:250:00/4:25
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Manicured Memories 4:220:00/4:22
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Drink the Wine 3:260:00/3:26
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0:00/3:56
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Daydream Delusion 3:300:00/3:30
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Explain it to Me 2:280:00/2:28
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Shadow Aspect 3:160:00/3:16
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Dead Reckoning 4:250:00/4:25
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Elusive 5:270:00/5:27
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Ocean Floor 3:590:00/3:59
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Earthshine 4:580:00/4:58
Scott D. Davis built electric guitars out of Legos as a boy, spinning records of Iron Maiden and Metallica in his bedroom, dreaming of stages and screaming crowds. At sixteen, he unwrapped what he hoped was a guitar. It was a keyboard.
What felt like disappointment became destiny. He formed rock bands, learned by ear, and chased the dream, until flaky musicians and reality intervened. Retreating to the wilderness, he began composing piano music inspired by the mountains, releasing Tahoma in 2003 and Winter Journey in 2004. He shared stages with George Winston and David Lanz, building a career in music that was beautiful but not the rock he'd imagined.
Then, driving to a concert in San Francisco while headbanging to Pantera, Scott had his eureka moment: What would this sound like on piano? The answer became Rockfluence (2006) and Pianotarium: Piano Tribute to Metallica (2007)—albums that fused his metalhead heart with the instrument he'd been given instead of the one he wanted.
Since then, Scott has accumulated over 15 million YouTube views and performed aboard ShipRocked, the heavy metal cruise, along with many bands he once air-guitared to as a kid: Korn, Queensrÿche, P.O.D., Sevendust, and Vince Neil of Mötley Crüe. His "rock concert piano" style doesn't quiet the world, it shakes it.
Now, with The Beautiful Darkness (2026), Scott ventures into his most ambitious work yet: a multimedia exploration of shadow, transformation, and self-acceptance, pairing thirteen original piano compositions with poetry and hand-painted watercolors. It's the culmination of a journey that began with Lego guitars and became something he never could have imagined, a rock star at the piano, finally exactly where he belongs.